"Louis Armstrong's and Bix Beiderbecke's Jazz Music." “Ballin' The Jack,” performed here by The Jim Cullum Jazz Band, first captured Armstrong’s imagination when he heard it played on the streets of New Orleans. Bix Beiderbecke's virtuosity and originality with the cornet won admiration from Louis Armstrong and other jazz greats in the 1920s. Vrai nom: Leon Bismark Beiderbecke. In 1927, he joined the Paul Whiteman orchestra. Bix and Louis had some things in common—they both possessed musical genius, and they both had a passionate, almost religious devotion to jazz. Like many other Bix-influenced players, I don’t want to simply copy Bix but I do listen to the Master playing in my head, and sometimes I work to see just how fat the sound can get.”. The composition of orchestral music encompassing wind instruments with loud and jolly melodies reflects the entertaining atmosphere of this age. Many talented people played their jazz music creating a massive influence on the genre and its history. Homage to Bix. by Fiona White. (2020) 'Louis Armstrong's and Bix Beiderbecke's Jazz Music'. Bix and the Wolverines made a famous recording on June 20, 1924 during their last session at the Gennett studio in Richmond, Indiana. Ellie. At least two sources must be from books or journal articles (including jazz magazines like DownBeat or JazzTimes). His popularity is worldwide. Armstrong would go on to be one of the first musicians to challenge this racial divide, and his life story is well documented. (2011). Louis Armstrong, Count Basie, Sidney Bechet, Bix Beiderbecke, Duke Ellington, Dizzy Gillespie, Benny Goodman, Lionel Hampton, Jelly Roll Morton, Fats Waller ‎– Leaders of Jazz Label: RCA Victor ‎– LJ 67101 Learn More. At a time when the country was completely divided along lines of race, Bix was white and Armstrong black. Teachout (2005) explains that the essence of jazz, when compared to other styles of music, is “different” in the sense that it does not adhere to a certain structure and a way of playing it. It is this lack of range that this paper believes is one of the secondary reasons behind the relative obscurity of Beiderbecke and the popularity of Armstrong. On the other end of the spectrum, we have Beiderbecke who lived a life of relative comfort and privilege. Beiderbecke was born into a life of comfort and privilege on … Photo in public domain. While such a difference may not seem all that important, one factor that is vital to take into consideration is the fact that the renditions of particular jazz songs tend to change based on the type of person that is playing it (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). Photo credit for Home Page: Trumpeter Nicholas Payton. Bix Beiderbecke embodied the spirit of the Jazz Age. It was ftting that he should be portrayed fanked by images of his musical favourites, Louis Armstrong and Bix Beiderbecke. Bix had returned to Chicago as star soloist with the Paul Whiteman Orchestra and Armstrong remembered Bix’s performance that night, like this:  “All of a sudden Bix stood up and took a solo and those pretty notes went right through me. By then, the middle-aged Armstrong was unsurpassed on his instrument and a vital contributor to jazz. "Singin' the Blues" record label courtesy of keepswinging blogspot. Teachout, T. (2005). Coming from radically different backgrounds, both musicians drew upon their influences to make music that revolutionized jazz, creating two separate legacies interwoven among each other in the peak of jazz popularity. Unfortunately, Beiderbecke also happened to suffer from a considerable case of alcoholism, this led him to go from one band to another and eventually resulted in his death when he was 28 years old. Some years later Armstrong recalled being in the audience for a concert on July 22, 1928. They seem to focus on two different things and this can be the reason…show more content… Louis Armstrong was known for his “hot jazz” while Bix Beiderbecke was known more for his “cool reflective” jazz style. He put it to his lips and blew a phrase. 1. Portrait of Bix Beiderbecke. Leon Bismark "Bix" Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer.With Louis Armstrong, Beiderbecke was one of the most influential jazz trumpet/cornet soloists of the 1920s.His turns on "Singin' the Blues" (1927) and "I'm Coming, Virginia" (1927), in particular, demonstrated an unusual purity of tone and a gift for improvisation. Beethoven, Chopin, etc. You can use them for inspiration, an insight into a particular topic, a handy source of reference, or even just as a template of a certain type of paper. Teachout (2005) goes on further to explain that it is the life experiences of the performer leading up to the moment of the performance that influences how a particular piece is played out and how a performance is done in the first place. How many pages (words) do you need? Louis Armstrong’s and Bix Beiderbecke’s Jazz Music, Lalo Guerrero: the Father of Chicano Music, Conflict of The Beatles and the Religious Far Right, Improvisatory Styles and Musical Philosophies, Political and Social Conditions that Influenced their Lives, Louis Armstrong and Bix Beiderbecke Music Comparison, Louis Armstrong’s Contribution to Jazz Music, Dizzy Gillespie and Louis Armstrong: Jazz Music, “Round Midnight” by Carmen Sings Monk vs. “Hotter than That” by Louis Armstrong, Racism in Music: “(What Did I Do to Be So) Black and Blue”, Nike Company’s and Lance Armstrong Relationship, Buddy Holly Musician: Modern Marketing Plan, The Bill Shreeve Band and Its Success Factors. While it may be true that both musicians incorporated various types of improvisation in their respective interpretations of a jazz piece, Armstrong always seemed to come out on top due to the dynamism and variety of possible tempos he incorporated. Musical styles and philosophies of Louis Armstrong and Bix Beiderbecke. Whenever Bix would come to town and go down to hear Louis Armstrong at the Sunset [Café], we’d find out about it and go down there and sit at a table with Bix.”, In 1924 Armstrong and Beiderbecke made their New York City debuts about the same time. ensure the integrity of our platform while keeping your private information safe. Bix Beiderbecke was one the brightest innovators of the early jazz scene. It is based on this that the emotions that a person is able to incorporate into a song is heavily dependent on their life’s experiences. He took a giant step up in the popular entertainment world when he left the Wolverines to play with the Paul Whiteman Orchestra, then the biggest act in US show business. 2020. Haim, A. June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Deeply attached to this early classic, Armstrong would perform and record this piece throughout his career. Bix Beiderbecke is best known for his lyrical cornet solos but throughout his life he continued to play piano—the first instrument he learned as a boy. ), various types of opera music and even Latin American folk songs. Whether this was due to him willfully trying to ignore all the issues he had with his childhood or a simple eccentricity on his part will never be truly understood. “Tiger Rag,” a hit in 1920 for the Original Dixieland Jazz Band, was later played and recorded by both Armstrong and Beiderbecke. Publishers Weekly, 258(14), 44-45. Des frais d'abonnement s'appliqu Armstrong with Avakian and W.C. Evidence of this can be seen in his various solo performances which were lauded as being brilliant, highly exhilarating and possessed a considerable energy all on their own (Lauterbach, 2014). Stereotypically, jazz is often stated to be “a collaboration between composer and performer” wherein the value of the rendition of a particular song is dependent not only on the one who wrote it but also with the style of improvisation used on the song by the performer. Hentoffian is publishing a book and CD package featuring five mid-'20s lost recordings of Bix Beiderbecke and Louis Armstrong, as well as a 120 page long monograph minutely documenting how this recordings came to be, why and how they were kept from the public for so many decades, the connection of this matter with corporate America, religious and political forces and their merry … At the Jazz Band Ball features rare, archival film clips from 1925 to 1933 that showcase a wonderful potpourri of musicians, bandleaders, singers, dancers, and entertainers that characterized the best of the Harlem Renaissance and the Jazz Age. IvyPanda, 22 June 2020, ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Lauterbach, P. (2014). Louis Armstrong echoed the thoughts of a generation when he wrote in his autobiography My Life in New Orleans, “Every musician in the world knew and admired Bix. Retrieved from https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. On this broadcast, Jim Cullum and his Band pay tribute to Bix with a series of tunes from the recorded output of his short career. Born two years and half a continent apart, Bix Beiderbecke and Louis Armstrong, the two most influential figures in the early history of jazz, emerged as major soloists on the same instrument (cornet) at the same time (early 1924). The Jim Cullum Jazz Band pays tribute to Beiderbecke and Trumbauer with their interpretation. First and foremost, it should be noted that taking aside his talent for music, Armstrong actually did have some issues with his playing style that was apparent to some of his listeners. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." This essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music was written and submitted by your fellow student. From their time of birth, no two people could have seemed less likely to cross paths than Bix Beiderbecke and Louis Armstrong. His combination of a unique talent and a tragically short life won Bix a place in the pantheon of jazz mythology. Amazon.com. “Dippermouth Blues,” composed by Louis Armstrong and his mentor King Oliver, is a number the cornet duo often played together at the Lincoln Gardens on the South Side of Chicago in the early 20s. Armstrong enjoyed playing together with many well known jazz musicians; one of them was Joe Oliver (Armstrong, Louis, par. His playing was soft and lyrical, unlike the “hot” playing of contemporaries such as Louis Armstrong. Unfortunately, your browser is too old to work on this site. According to many musicians who knew them, they also shared an affection and appreciation for each other’s work. This is one of the reasons why “range” was an important factor when it came to the popularity of Armstrong over Beiderbecke since he simply incorporated a greater repertoire of different sounds and styles which enabled him to capture a greater audience than Beiderbecke. Instead, it is more accurate to assume that the core of many jazz performances is the concept of improvisation wherein a performer often interprets a particular type of jazz song in their own way. The King Oliver Creole Jazz Band first recorded “Dippermouth” in 1923 with a youthful Armstrong, still a hayseed from the wrong side of the tracks in New Orleans, playing second cornet. It should be noted that Beiderbecke was interested in jazz music to the point that he preferred playing instead of being in school (Haim, 2011). The sound came out like a girl saying “yes.”’, Others have described that Beiderbecke sound as a ‘padded mallet striking a chime,’ or like ‘pearls falling onto velvet.’ Here’s the way I hear it: it’s a fat sound, broader and less strident, darker and more mellow than other cornet players, but it’s not just dark and mellow, it has a hollow ring that sometimes reminds me of a bell. In New Orleans, jazz had been ensemble playing, with the various instruments weaving their parts into a single and coherent aural tapestry. by Stefan Nandancee. In fact, his habit of skipping over notes at times was overshadowed by the sheer “power” of his performance. Under The Light. Bix Beiderbecke. We will write a custom Essay on Louis Armstrong’s and Bix Beiderbecke’s Jazz Music specifically for you for only $16.05 $11/page. Jazz cornetist Bunk Johnson often said it was one of the first tunes the 12-year-old Armstrong learned to play. On the surface, Louis Armstrong and Bix Beiderbecke were about as different as two human beings could be. Their performance of King Oliver’s masterpiece “West End Blues” is a landmark recording in jazz, inducted into the Grammy Hall of Fame in 1979. Bix Beiderbecke was a true Jazz age musician. Your privacy is extremely important to us. While his music did reflect the “soulfulness” that jazz was known for and were somewhat altered based on his own improvised style of playing, the fact remains that they lacked the power and range that Armstrong had (Haim, 2011). Today jazz is well known as the genre mainly played by the musicians of African-American origin, and Bix Beiderbecke is still famous for being an outstanding white guy, who played fantastic jazz music. Bix showed up at the dock from his nearby family home and fell in love with Armstrong’s playing. Drummer Baby Dodds recalled that Bix and Louis first met in the summer of 1920 when the Mississippi riverboat, the S.S. Capitol, pulled into Davenport with Armstrong on board playing cornet with Fate Marable’s Orchestra. Profil: American jazz cornetist, pianist and composer (born March 10, 1903, Davenport, Iowa, USA - died August 6, 1931, Queens, New York, USA), regarded as one of the most influential jazz soloists of the 1920's together with Louis Armstrong. Beiderbecke’s musical style, while definitely soulful and reflective, lacked the “energy” that was apparent in Armstrong’s own work. American breaks with the past in the twenties introduction of flappers bobbed hair, and short skirts symbolized a new era. Exhibitors. Bix Beiderbecke, born in Davenport, Iowa, in 1903, is generally regarded as the greatest white jazz cornettist of all time. Born as the son of a wealthy merchant, Beiderbecke really did not have anything to worry about in life since not only was he rich, he was also born a Caucasian during an era where this particular social class had most of the power and influence within the U.S. Beiderbecke was born into a life of comfort and privilege on a peaceful, tree-lined avenue in Davenport, Iowa. IvyPanda. June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. In comparison, while Beiderbecke can be considered as an incredibly talented jazz musician, his performances were far more “by the book” as compared to Armstrong. Sister Cities: Louis Armstrong’s New Orleans and Stax Records’ Memphis. "West End Blues" record label courtesy of keepswinging blogspot. On the surface, Louis Armstrong and Bix Beiderbecke were about as different as two human beings could be. professional specifically for you? The first is that he had a habit of skipping over notes when it came to playing particular pieces and tended to incorporate variances into popular jazz renditions that were far from the norm (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). before he became a musician) that is known to biographers. Armstrong was born in a time of considerable political upheaval which was characterized by the civil rights movement due to racial segregation that was occurring within America at the time. Offre à durée limitée. When examining the musical influences that helped to shape Armstrong, it is important to note that aside from Jazz, he had a strong interest in many other types of music such as “the Blues”, classical music (i.e. Apart from their genius, the musicians Bix Beiderbecke and Louis Armstrong had little in common. He recorded the tune at least four times in his career, first on May 1, 1930 under the name “Louis Armstrong and His Orchestra” and again in October 1938 with Fats Waller on piano, Jack Teagarden on trombone and Bud Freeman on tenor saxophone, for a radio program with Martin Bloch. One interesting aspect about Armstrong is that there is little about this past life (i.e. (2011). With Louis Armstrong and Muggsy Spanier, Beiderbecke was one of the most influential jazz soloists of the 1920s. Louis Armstrong grew up in poverty in a shantytown on the back streets of New Orleans, where basic needs like a full stomach and a pair of shoes were rarely met. When comparing the lives of Beiderbecke and Armstrong, a significant disparity is seen wherein Beiderbecke was born into a life of privilege while Armstrong was born into a life of poverty and discrimination. Courtesy of landing.com, Text based on Riverwalk Jazz script by Margaret Moos Pick  ©1999, © Stanford University, Stanford, California 94305, Singin' The Blues (Till My Daddy Comes Home). One of the hot, driving tunes Bix recorded with Whiteman was “San.”. Longtime Cullum Band pianist and arranger John Sheridan performs the solo piano version heard here. Share Reply. Web. He died in 1931 at the age of 28. Louis Armstrong's and Bix Beiderbecke's Jazz Music. Commentary, 120(2), 65-68. The Story of Bix Beiderbecke’s Davenport Blues. Louis Armstrong seemed to focus on hot jazz while Bix Beiderbecke focused more on a cool, reflective type of jazz. When comparing the situations of Beiderbecke and Armstrong, it can be seen that both were in vastly different social and political circles which in turn impacted the way in which they expressed themselves through music. The Edge of Evening (Chronology of Disunion) by Sara Pedigo. As explained by Lauterbach (2014), it was often the case that Armstrong actively attempted to incorporate such musical influences into his performances resulting in renditions that were often far from the norm. When examining the reason behind Armstrong’s worldwide popularity in comparison to the relative obscurity of Beiderbecke, it is immediately obvious that the main reason behind this was due to the fact that Armstrong was willing to take risks when it came to his approach to jazz. by Francis Mosley. Armstrong was not given the same opportunities, rights as well as many privileges that were accorded to the Caucasian population and had to work considerably to be given the same priveleges. From then on he did not receive any formal training and instead taught himself how to play and developed his talent over the years by going to various jazz performances, listening to artists as they played and generally tried to improve on what he heard through his own improvisational style. You are free to use it for research and reference purposes in order to write your own paper; however, you must. Amazon.fr : Achetez Fletcher Henderson, Jelly Roll Morton, Louis Armstrong, King Oliver's Creole Jazz Band, Bix Beiderbecke.. by Jazz early Days-As good as it gets au meilleur prix. Taking this into consideration, the sheer power evident in Armstrong’s performances seems to stem from his own part involving poverty and discrimination, whereas the smooth, cool and melodic style utilized by Beiderbecke comes from his own past of privilege. by Mark Draisey. 3 Kings Of Jazz: The Music Of Louis Armstrong, Bix Beiderbecke And Jelly Roll Morton pas cher En utilisant Rakuten, vous acceptez l'utilisation des cookies permettant de vous proposer des contenus personnalisés et de réaliser des statistiques. This sets it apart from other styles of music wherein adherence to the measure and beat of the piece is absolutely essential. Le jeu de cornet de Bix Beiderbecke tranchait avec celui de ses contemporains, majoritairement influencé par le style de Louis Armstrong, par son phrasé legato par et une douceur de timbre (un son rond et chaud) qui préfigure ce qui, après guerre, sera le jazz cool. For full functionality of this site it is necessary to enable JavaScript. Bix and the Wolverines, 1924. Whether such a condition contributed to his musical talent is never really elaborated on, however, it is known that it led to his untimely demise at such a young age (Haim, 2011). Answered Nov 28, 2017. He was a brilliant improviser on the level of Louis Armstrong, but his cornet had a completely different, almost wistful tone -- one of the reasons he is sometimes thought of as a Cool Jazz missing link. Armstrong played an important role in the process of development of jazz music. Copyright © 2021 - IvyPanda is a trading name of Edustream What a Wonderful World: The Magic of Louis Armstrong’s Later Years. Le jeu de Bix Beiderbecke Le jeu de cornet de Bix Beiderbecke tranchait avec celui de ses contemporains, majoritairement influencé par le style de Louis Armstrong, par son phrasé legato et par une douceur de timbre (un son rond et chaud) qui préfigure ce qui, après-guerre, sera le style cool. IvyPanda. Kitty, the Teenage Baker. These differences are also evident in the manner in which both showcased their talents as solo performers wherein Armstrong exemplified power, showmanship and a wide range of emotions when it came to his playing while Beiderbecke was more cool and collected, preferring a style that was more melodic, flowing and more in line with what one would expect from jazz (Haim, 2011). Ben Ratliff reviews concert by trumpeter Randy Sandke and others of long-lost music of Louis Armstrong and Bix Beiderbecke at Kaye Playhouse, part of JVC Jazz Festival; photo (M) For example, it was noted that while Armstrong often reached into the upper levels of the register when it came to the tempo and volume of his performances, Beiderbecke rarely did so and was focused more on maintaining a melody that resonated with those of his fellow musicians within an ensemble (Haim, 2011). The database is updated daily, so anyone can easily find a relevant essay example. Artists featured: Louis Armstrong, Kuke Elligton, Bix Belderbecke, Bessie Smith, the Dorsey Brothers and others! Bix Beiderbecke, jazz cornetist whose virtuosity and influence in the 1920's rivaled Louis Armstrong. Armstrong played “Tiger Rag” nightly for years as a spectacular feature. To prove this, it is important to examine the views of Haim (2011) who delved into the various criticisms leveled against the works of Armstrong and Beiderbecke in order to better understand how the concept of “range” influences the general perception of an audience to a particular musician. Let's see if we can help you! This is not to stay that both men are not equally talented in their own way, however, since Armstrong had a much harsher life growing up and developing into who he was, it is not surprising that he was able to present a more powerful presence since through his music he is apparently shouting against the injustice that he had to endure (What a Wonderful World: The Magic of Louis Armstrong’s Later Years, 2011). This tended to alter the intended performance of a piece; however, it was the uniqueness that of the music created that drew audiences to him. Armstrong and Beiderbecke would meet again a few years after that initial encounter on the excursion boat in Davenport, Iowa. When it was combined with the improvisation that he was known for, it created a spectacle of jazz composition that “wowed” audiences whenever they listened to any of his performances. Decades later, in 1954, Armstrong went into the recording studio with producer George Avakian to record an album of traditional blues composed and collected by another pioneer of American music, W.C. Livraison gratuite (voir cond.). Virginia Quarterly Review, 90(2), 207-211. 22 June. Louis Armstrong beat the odds so heavily stacked against him and had a long, rich life, making contributions in jazz unsurpassed to this day. Web. 301 certified writers online. 5). Here, the track begins with Armstrong’s magnificent solo from the original recording, then crossfades live to The Jim Cullum Jazz Band on stage at The Landing with bandleader Cullum taking the lead on cornet. Handy, 1954. Handy. Among the most well known and influential jazz musicians of their era were Louis Armstrong and Bix Beiderbecke. Reflecting on Bix Beiderbecke’s contribution to jazz, Jim Cullum says, “One of Bix’s true disciples was guitarist Eddie Condon. According to Yancey(1989), it was against the law to drink … On the other hand, since Armstrong is known for his inventive and improvisational style of playing, the incorporation of musical influences from different stylistic backgrounds seemed to have been a success since it resulted in renditions that became widely popular. Self and Finn . Louis Armstrong and Leon Bismark Beiderbecke, known as “Bix,” are the outstanding representatives of the jazz age. You take a man with a pure tone like Bix and no matter how loud the other fellas in the band may be blowing, that pure tone will cut through it all.”. While it cannot be stated with outright conviction that the generally “soft” life that Beiderbecke led resulted in an inferior level of musical talent as compared to Armstrong, the fact remains that their individual social situations did have an impact on how they approached jazz music. IvyPanda. Need a custom Essay sample written from scratch by (2020, June 22). Beiderbecke's alcoholism shortened a talented life. by Gary Craig. Alcoholism and disillusionment were the causes of his death in 1931, at the age of twenty nine. He wrote about hearing Bix’s cornet for the first time: ‘Beiderbecke took out a silver cornet. Bix Beiderbecke, Louis Armstrong, and Count Basie became you people, heroes, jazz spread throughout the land, while music was forgotten. ”. Photo in public domain. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." June 22, 2020. https://ivypanda.com/essays/louis-armstrongs-and-bix-beiderbeckes-jazz-music/. Requirements: Chose one of the three topics below 1,500 word minimum Include a bibliography of at least four sources, not including the textbook. Beiderbecke's alcoholism shortened a talented life. “In A Mist” is an extraordinary piano composition Bix wrote in the 1920s; it sounds contemporary today, almost a century later. What you have to understand is that jazz is far more “impressionistic” as compared to other types of music in that the flow of the song and the way it is played changes based on personal interpretation and feelings within that particular moment. “Chantez Les Bas” (“Sing ‘em Low”) was one of Handy’s tunes recorded at that session. The tune was written to cash in on a dance craze of that name in 1913. Bix, on the other hand, had a short, brilliant career. "Louis Armstrong's and Bix Beiderbecke's Jazz Music." John Adney. IvyPanda. Improvisatory Styles and Musical Philosophies. When examining the history behind Beiderbecke, the origin of his interest in music seems to stem from Nick LaRocca and Dixieland jazz from which he originally developed his love for jazz music (Haim, 2011). Photo courtesy wuftfm.org. Découvrez toutes les promotions CD & Vinyles, les … On this broadcast, New Orleans trumpet giant Nicholas Payton joins The Jim Cullum Jazz Band to offer their interpretation of this fascinating multi-strain, twelve-bar blues. IAJRC Journal, 44(1), 10-16. This is IvyPanda's free database of academic paper samples. Leon Bismark " Bix " Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, jazz pianist, and composer. As a result, he focused more on becoming a musician and eschewed formal education so that he could become a better jazz player. Armstrong was black and Beiderbecke was white and musical segregation was complete in the 1920's. 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